2010

February 19, 2016

This is what I was doing back in 2010, which is what, SIX YEARS AGO NOW (?!) - taking photos while on holiday in Europe. I always take the same kind of photos - of rusty old things, plants in cracked pots, washing on lines, dodgy shops and buildings that are falling apart. And food. I think it drives Jed, my boyfriend, mad as I'm always stopping...but when I see a fern growing in an old coffee tin I just can't resist. We were away for two months and covered a bit of ground, so I had the chance to snap a lot of pot plants, be prepared. Enjoy!

All the main stops on a bus trip from Montenegro through to Croatia

More pot plants in Serbia. I told you I take a lot of photos of pot plants!

I'm now obsessed with preserving things, probably because I saw this in Serbia

Falling-down pastel buildings in Hungary

Jed and I, smiling like dweebs, proper tourist style

Giveaway!

February 18, 2016

Just a heads up - if you join the mailing list before the end of February you'll go in the running to win a gift pack including fabric mix pack. Woo! And I'll be listing fabric mix packs in the shop soon and am keen to know if sewers out there are interested in small packs of scraps, medium packs for cushion-type things or larger packs with more pieces, for quilts and things like that. And is quilting fabric preferrer over a medium weight? I'd love your feedback, let me know what you think!

X Susan

January

February 12, 2016

I spent a lot of January doing nothing. Here are some pictures I took from the very start of the year, at Lakes Entrance, East Gippsland (where my boyfriend's dad lives) and Sale. We often visit mid-winter, so I was super excited to be going to the lakes and the beach in summer. And then it basically rained the whole time we were there. Oh well, I read a lot. And took a lot of photos, as you can see. I love taking photos of other people's houses. I hope you like looking at them.

Spencer Harrison and his artwork-in-progress. Photo by Susan Fitzgerald.

Studio Space: Spencer Harrison

January 28, 2016

For the first instalment of Studio Space for 2016 I visited the workspace of Spencer Harrison, a graphic artist, designer, illustrator and educator, based in Melbourne. You might have seen some of his work around - he creates eye-catching patterns under the name Rhythm and Repeat and recently designed the excellent book The Craft Companion. He also sets aside time to work on his art practice and on top of that, he teaches graphic design part-time. Oh, and he's got degrees in both nanotechnology and visual communication and he's not yet 30!

His studio is in a bright, light-filled shared space in North Fitzroy, tucked at the end of an alley you can't even see from the main street. The space seems to suit him well - it's an old warehouse, so he doesn't have to be too precious about spills when he's painting, and he's got enough space to jump around from computer-based work to drawing, screen printing and painting.

Artwork for Spencer's upcoming exhibition covers an entire wall of his studio. Photo by Susan Fitzgerald.

SPENCER HARRISON: Q&A

How long have you been in the space and where did you work previous to this?

I've been at my current studio for about a year and a half now. Previously I've moved around various shared studio spaces around Melbourne, generally based on my needs at the time. Some were great for more graphic design work, others for meeting potential clients and in the case of this one, more suited for art and making a bit of a mess.

Spencer's studio is at the end of a small number of shared spaces. Photo by Susan Fitzgerald.

How many hours a week do you spend in your studio?

Ha ha a lot of time! I go there pretty much every working day and treat it just like going to work. The only difference is I hate 9am starts so generally get there around 10.00-10.30 and work until 6.00 or 7.00. When I'm working on an exhibition though I can end up practically living there and spending long days working on my artworks. I do like to change things up every now and again though and spend a day working from the library or from home.

The studio entrance. Photo by Susan Fitzgerald.

How, if at all, has the space influenced your work?

Like most of the shared spaces I've been in, the people in the spaces have had the biggest influence on me and my work. We often swap tips, have a chat and a cup of tea or even give each other little pep talks when we are in creative slumps. It's given me a lot more confidence professionally and creatively being around other professional creatives and has also lead to lots of opportunities here and there also. On a more practical level, just having the space to have a large amount of various materials and space to create in has given me a lot more flexibility to create and try different things.

Mixing and testing paint colours. Photo by Susan Fitzgerald.

Colour swatches. Photo by Susan Fitzgerald.

What would your dream workspace look like?

The space I have at the moment is pretty close to my dream workshops! I would love to have an even bigger studio with a dedicated screen printing area and washout area, a photography setup and maybe a big garden outside that I can hang in and draw. Oh and if were talking dream studio I'd also have a private in-house DJ that would spin my favourite tracks all day and also an in-house chef...maybe one day!

Initial sketches for each piece in Spencer's upcoming exhibition. Photo by Susan Fitzgerald.

Sketches coming to life. Photo by Susan Fitzgerald.

Which other creatives inspire you (personally or professionally)?

At the moment I'm very inspired by a lot of artists from the past and am spending a lot of time reading about them, how they worked, how they found their ideas and who their influences were. I'm interested in what motivated these artists and their creative processes more so than the finished outcomes. Some favourites at the moment include Keith Haring, Matisse, Picasso, Joan Miro, Jean Arp and many others. Another creative that has inspired me quite a bit recently has been David Hockney, mainly due to his constant curiosity and bravery to constantly be exploring and changing the style of his art. I've also been discovering a lot of amazing Australian artists recently, mainly through exhibitions at the NGV Ian Potter and Heidi Gallery. A couple of my recent favourites have been Robert Delaunay and Melinda Harper, both with such amazing work!

A big thanks to Spencer for sharing his thoughts and his space. If you want to see his upcoming exhibition, you've got one chance, as it's only on for one day (which also happens to be his 30th birthday.)

Exhibition:

Synesthesia Friday March 4th 2016, 6.00pm-9.00pm, Work-Shop, 195 Argyle St, Fitzroy.

SPENCER HARRISON: LINKS

And don't forget to follow Studio Space on Instagram @studiospace_ #hellostudiospace

Spencer's painted some ply near the studio entrance, which is backing onto an apartment development. Photo by Susan Fitzgerald.

Happy 2016!

January 19, 2016

The new year is already zipping past and I'm only just reopening the shop today! As a special welcome back to the year I'm offering free international shipping for the rest of the month, using the code FREESHIP. Some things will be discontinued to make way for new ideas and new work (including the discount fabric bundles) so if there's something you have your eye on, get in now.

I hope you had a great festive season and got a bit of a break to refresh. I had a full 10 days off in a row, amazing! And now it's time to get into the new year. Looking forward to seeing what fun 2016 brings.

Some of the many biscuits baked with my friend before Christmas. The speculaas (on the left) are amazing, I'll have to share the recipe!

Jem Selig Freeman in the Like Butter studio. Photo by Susan Fitzgerald.

Studio Space: Like Butter

December 30, 2015

STUDIO SPACE: LIKE BUTTER

For the latest instalment of Studio Space I visited the amazing Kensington, Melbourne workshop of Like Butter, a design and fabrication business owned and run by industrial designer Jem Selig Freeman and sculptor Laura Woodward. You've probably seen their work around town, much of it made from ply &/or steel - they make quirky bookshelves, distinctive crates, stools, tables and more.

When I met Jem and Laura in around 2008 they worked from the basement of the Younghusband Woolstores (where I once had a studio). For the last 14 months they've been in a huge, light-filled space at the front of the same building complex.

Jem says he spends about 60 hours a week there, which doesn't surprise me - he's often posting Instagram updates of his creations at all times of the day or night. And what does a dream workspace look like? According to Jem, it would be "bright white with bags of natural light and amazing dust extraction". In the meantime, they look pretty well settled in their current space. I hope you enjoy taking a look around.

Jem's inspiration: Sonia Rentsch, Moth Design, Laura Woodward.